magGot Films { films that kill }
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Michael Todd Schneider, also known as "maggot" is probably best known for his role as a serial killer in the film 'August Underground's Mordum', which has that nice little gut-fucking scene. But there's alot more sickness, he's also a director, spfx artist and actor who's worked on almost a dozen films, most notably: I Never Left The White Room, My Crepitus and Let’s Make… A Horror Movie; so this thread is my sort of dedication to those films and future productions, by magGot films.
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Brief Bio: “…akin to smashing your teeth into the coffee table for ninety minutes.” The first words on Schneiders work by Rue Morgue Magazine was regarding his debut feature, My Crepitus. They classified a style that would evolve over time, some have called it: surrealist psychological retro-gore. Being awarded Best Cinematography and Best Horror Short shocked A Tribute to Sanity to New York International Independent Film Festival screens. The notorious and confrontational August Underground’s Mordum was hailed an instant classic. Banned from the public, Grotesque Fantasies is an experimental documentary following Schneider and fiends on their artistic exploits. Combining 80’s horror themes with an elaborate film process called Life-O-Vision is Opening the Mind. Continuing to venture back to the way films used to be made, …And Then I Helped is a splatter romp set in 1976. Let’s Make… a Horror Movie combines all learned into one autobiographical experience that blurs the line between celluloid and reality. A cerebral collaboration with Tyler Tharpe (Return in Red, Freak) brings two stories into an exploitation popcorn haven with DOUBLE DOSE OF TERROR!!
Schneider has also spent the past few years supplying his assets on such notable features as G. Cameron Romero’s The Screening, Revenge Is Her Middle Name, Return in Red, Gallery of Fear, Bigfoot at Holler Creek Canyon, Chrome Baby, The Wickeds, Two Front Teeth, House of Honcho, Scarlet Rain and Multo.
A true auteur of award winning disposition, Schneider’s distinguishable versatility rooted itself out of necessity and limitation. A bold director, writer, editor, actor, cinematographer, special makeup effects designer, sound designer and experimental musician. Schneider is an invaluable creature of the film industry, creeping about while leaving neon traces for all to follow."
Newest film, with a cool new promotional teaser.
Although a bit ambiguous to outside viewers, the relationship between Mr. Ben and Sydney is quite healthy. They lead separate lives away from each other, able to devote personal time to their hobbies. Mr. Ben buries himself in his studies while Sydney goes out and parties, super-70’s style. No worries, they always begin their day with a meal and end it with a prayer.
