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http://www.imdb.com/title/tt2072134/
Director: Scooter Downey (& co-writer with Sean Elliot)
Starring: Lance Henriksen and Sean Elliot
Scooter Downey & Sean Elliot were best friends since kindergarten. This is their first movie.
Storyline:
IT'S IN THE BLOOD is about a father, Russell (Lance Henriksen), and his son, October (Sean Elliot, who co-wrote & co-produced) who're trying to reconnect after not seeing each other for years. A terrible trauma both binds them together and pushes them apart and it's this horrific event in their pasts that they're trying to move beyond. They go out into the wilderness to hunt and try to bond and Russell ends up injuring himself bad (real bad) in what might be one of the worst compound fractures ever put on film. With limited mobility and absolutely no supplies, the two are completely at the mercy of the elements, and just when they thought things couldn't get any worse they realize some kind of creature is stalking them down with the intention of killing them. From the few distant and blurry images we get in the beginning it's obvious this is not your typical woodland predator after them. This thing is big, intelligent, and fierce as hell.
The film unfolds with the father and son having to come together to survive, all the while trying to figure out what the creature is and what it wants. At the same time, Russell's compound fracture is getting worse (make that, disgusting), and October's recurring nightmares about his past trauma, which includes the girl he loved, Iris (Rose Sirna), start bleeding into his waking state. This is most definitely a "slow burn" flick and director/co-writer Scooter Downey does a great job controlling the material. We get scenes that go from the 'real time' in the film to flashbacks of the horrific event that changed all their lives, to hallucinatory scenes of the creature. In lesser skilled hands, IT'S IN THE BLOOD could've been a muddled mess, but Downey masterfully controls all the various elements like a well-seasoned pro. The film is also shot beautifully, really embracing the dark and the isolation of the situation, and the editing is phenomenal. The dark and isolation become imposing characters themselves as they threaten and consume Russell and October.
Okay. I want this....NOW!
Source: http://www.imdb.com/user/ur23213301/comments