The first Hostel was a movie I surprisingly enjoyed. It was gory, creative, and ballsy for a theatrical release. I admired Eli Roth's attempt to (along with Saw) bring forth a very dark and incredibly gory approach to death in mainstream horror. The sequel was a disappointment for me, as it was simply more of the same, but at least the gore was amped up and we were given a little backstory on the society that runs these torture chambers. Now, four years later, we're given a low-grade straight-to-DVD sequel that's nothing more than an obvious cash-in on the Hostel name.

Eli Roth takes a step back and lets his friend Scott Spiegel (Intruder, From Dusk Till Dawn 2: Texas Blood Money) take the reigns, which I wasn't entirely against since the last two horror fares from Spiegel offered some clever camera tricks that I had hoped to see him revisit with this sequel. Sadly that's not the case here, as aside from a lot of gratuitous shots of the camera following someone's ass (for whatever reason), it's all a pretty straight forward directorial effort.

The first Hostel was a movie I surprisingly enjoyed. It was gory, creative, and ballsy for a theatrical release. I admired Eli Roth's attempt to (along with Saw) bring forth a very dark and incredibly gory approach to death in mainstream horror. The sequel was a disappointment for me, as it was simply more of the same, but at least the gore was amped up and we were given a little backstory on the society that runs these torture chambers. Now, four years later, we're given a low-grade straight-to-DVD sequel that's nothing more than an obvious cash-in on the Hostel name.

Eli Roth takes a step back and lets his friend Scott Spiegel (Intruder, From Dusk Till Dawn 2: Texas Blood Money) take the reigns, which I wasn't entirely against since the last two horror fares from Spiegel offered some clever camera tricks that I had hoped to see him revisit with this sequel. Sadly that's not the case here, as aside from a lot of gratuitous shots of the camera following someone's ass (for whatever reason), it's all a pretty straight forward directorial effort.

The first Hostel was a movie I surprisingly enjoyed. It was gory, creative, and ballsy for a theatrical release. I admired Eli Roth's attempt to (along with Saw) bring forth a very dark and incredibly gory approach to death in mainstream horror. The sequel was a disappointment for me, as it was simply more of the same, but at least the gore was amped up and we were given a little backstory on the society that runs these torture chambers. Now, four years later, we're given a low-grade straight-to-DVD sequel that's nothing more than an obvious cash-in on the Hostel name.

Eli Roth takes a step back and lets his friend Scott Spiegel (Intruder, From Dusk Till Dawn 2: Texas Blood Money) take the reigns, which I wasn't entirely against since the last two horror fares from Spiegel offered some clever camera tricks that I had hoped to see him revisit with this sequel. Sadly that's not the case here, as aside from a lot of gratuitous shots of the camera following someone's ass (for whatever reason), it's all a pretty straight forward directorial effort.

The first Hostel was a movie I surprisingly enjoyed. It was gory, creative, and ballsy for a theatrical release. I admired Eli Roth's attempt to (along with Saw) bring forth a very dark and incredibly gory approach to death in mainstream horror. The sequel was a disappointment for me, as it was simply more of the same, but at least the gore was amped up and we were given a little backstory on the society that runs these torture chambers. Now, four years later, we're given a low-grade straight-to-DVD sequel that's nothing more than an obvious cash-in on the Hostel name.

Eli Roth takes a step back and lets his friend Scott Spiegel (Intruder, From Dusk Till Dawn 2: Texas Blood Money) take the reigns, which I wasn't entirely against since the last two horror fares from Spiegel offered some clever camera tricks that I had hoped to see him revisit with this sequel. Sadly that's not the case here, as aside from a lot of gratuitous shots of the camera following someone's ass (for whatever reason), it's all a pretty straight forward directorial effort.